005 

(2008) 

is an art film and personal project by Maxim Zhestkov. Sound by Yurii Zolotukhin/ Y.Z and Kammerton.

005, scifi, astronomy, Video Clip

Reading

‘vE-”jA: Art + Technology of Live Audio-Video (2006) by Xarene Eskander is a global snapshot of an exploding genre of tech-art performance: VJing and live audio-video. The book covers 40 international artists with 400+ colour images and 50+ movies and clips on an accompanying DVD and web downloads. (VJ Book)

Digital Harmony (1980): On the Complementarity of Music and Visual Art – John Whitney, Sr. wanted to create a dialog between "the voices of light and tone." All of his early experiments in film and the development of sound techniques lead toward this end. He felt that music was an integral part of the visual experience; the combination had a long history in man's primitive development and was part of the essence of life. His theories On the complementarity of Music and Visual Art were explained in his book, Digital Harmony, published by McGraw-Hill in 1980. (Paradise 2012)

Rewind, Play, Fast Forward (2010) – The Past, Present and Future of the Music Video by Henry Keazor, Thorsten Wübbena (eds.) brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. (transcript Verlag)

Computer Music Journal: Visual Music (2005) - The articles in this issue are all devoted to the topic of Visual Music: audiovisual creations in which the artist strives to endow the video component with formal and abstract qualities that mimic those of musical composition. (Computer Music Journal)

 

SEE ALSO

Magnetosphere, revisited (2007) directed by Boston-based Robert Hodgin reacts to sound volume and speed. Built with Processing. Trentemøller's audio is pretty much the perfect medium to send into this effect, with the slow melody and build up. (Matthew Lettini)

Pan Sonic: Askel (2008) by Wüstenarchitekten is a particle simulation in TouchDesigner. Music from Pan Sonic's album A. (Create Digital Motion)

Bonn Patternization (2009) - original title: Bonner Durchmusterung is a sonification and visualisation of astrophysical phenomena by Marcus Schmickler (composition), Alberto de Campo (sonification) and Carsten Goertz (visualisation). The eponymous starting point of our project is the Bonn patternization drawn up by the astronomer Friedrich Argelander (1799–1875) and his co-workers. This is not only the most historic work ever to have been conducted in Bonn; it also includes every star that can be seen in the night sky with the naked eye or a small telescope. The locations of the stars alter so little that today's night sky can still by-and-large be described by the data of the Bonn patternization. (Dr. Michael Geffert, Marcus Schmickler, Alberto de Campo, Carsten Goertz in May 2009)

APB - All Points Between (2001) was a live audio visual performance by The Light Surgeons. An feature length performance which skipped around the world through a series of capsule narratives and audio visual tracks. It combined and remixed original documentary material (including the short films Thumbnail Express and The City of Hollow Mountains) wth DJing and a multi screen presentation involving video, slides and 16mm projections. (The Light Surgeons)

Brilliant Noise (2006) by Semiconductor takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files, made accessible via open access archives, Semiconductor have brought together some of the sun's finest unseen moments. These images have been kept in their most raw form, revealing the energetic particles and solar wind as a rain of white noise. The sound is derived from solar natural radio and controlled via digitally sampling the intensity of the brightness of the image. (Semiconductor)