APB - All Points Between 

is a live audio visual performance by The Light Surgeons. An feature length performance which skipped around the world through a series of capsule narratives and audio visual tracks.

APB - All Points Between combined and remixed original documentary material (including the short films “Thumbnail Express” and The City of Hollow Mountains”) wth DJing and a multi screen presentation involving video, slides and 16mm projections.

The performance was commissioned and developed by onedotzero festival and was toured internationally between 2001 and 2003.

Live recording of the performance are documented on the Lost Leader DVD, published by Gasbook in Japan.

 

Source: The Light Surgeons' website

 

 

APB - All Points Between, found footage, astronomy, multi projection, Live Visuals

Reading

Audio.Visual - On Visual Music and Related Media (2009) by Cornelia Lund and Holger Lund (Eds.) is divided into two sections: the first deals with the academic discussion on the subject of visual music; the second introduces contemporary paradigms of audio-visual praxis in brief presentations and contextualises them. Apart from being a guide in the historical sense, this new volume provides theoretical approaches to understanding and making visual music. (Fluctuating Images)

The Art of Projectionism (2007) by Frederick Baker (in German) sets out the principles behind his use of projectors in the film making process. He defines a projectionist school of filmmaking and media art. In this publication he also presented Ambient film, a surround experience that can be shown in specially developed cinemas. (Wikipedia)

VJing (2010) is a reproduction of the Wikipedia article VJing, based upon the revision of July 25th 2010 and was produced as a physical outcome of the wiki-sprint, a collaborative writing workshop that was held 2010 in the frame of Mapping Festival, Geneva. (Greyscale Press)

 

SEE ALSO

Simple Harmonic Motion study #5d (2011) by Mehmet Akten is an ongoing research and series of projects exploring the nature of complex patterns created from the interaction of multilayered rhythms. This version was designed for and shown at Ron Arads Curtain Call at the Roundhouse. This ultra wide video is mapped around the 18m wide, 8m tall cylindrical display made from 5,600 silicon rods, allowing the audience to view from inside and outside. (Mehmet Akten)

Expanded Cinema (1970) - In a brilliant and far-ranging study, Gene Youngblood traces the evolution of cinematic language to the end of fiction, drama, and realism. New technological extensions of the medium have become necessary. Thus he concentrates on the advanced image-making technologies of computer films, television experiments, laser movies, and multiple-projection environments. Outstanding works in each field are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists. (John Coulthart)

The Drowning (2009) by Kasumi explores the impressions running through a man’s mind in the moments before his death: the sensation of time slowing down, of heightened bodily perceptions, and the simultaneous unreeling of an internal cinema of images. (Kasumi)

Shutter Interface (1975) by Paul Sharits is a hypnotic work a quartet of 16mm projectors stand, figure-like, side by side on imposing pedestals facing a long wall. Four looped films of varying lengths are unspooled and respooled in jewel-like swathes of colour interspersed with single black frames, creating the flicker effect Paul Sharits was the first to explore in colour films. (Frieze Magazine)

Telefante is formed by Luis Negrón van Grieken and Juan Carlos Orozco Velásquez. They put all kinds of media, new, old, forgotten, obsolete, overused, commercial, useless, all over the table, as if we were making a transversal cut through history. Simply it is about tell stories (new and old) through several media (new and old), with the aim to forget this unproductive dialectic and be able to capture the most difficult: the present. (Telefante)