Audio Kinematics 

(2007) 

is an audio/video installation by Jost Muxfeldt and works with the phenomenology of sound and space, and how a listener is manifest in that space. Formally, it plays with the idea of kinematic relations on the level of sound.

Audio Kinematics utilizes the spatial relations and proportions of a mechanical structure to determine various parameters of a sound composition, and creates a kind of virtual kinetic sound sculpture.

The motions in the current realization are based on the principle of a mobile. This principle is base on a binary tree structure combined with circular motions. Since the motions of the individual nodes are always circular, they can over time be described with a series of sine waves added to each other . The motion of one node is thus described by the amplitude modulation of the sine wave of the parent node. Thus the motion is closely related to one of the most basic principles of audio synthesis.

 

The entire structure allows for a total sound experience in which the progression over time is determined on the one hand by the choice of the actual sound components, and on the other hand by the distance and motion of these components in relation to the listener. The listener is drawn into a relation to a sound environment whose shape and timbre changes over time by means of its specific spatial mechanics.The motion is simultaneously projected on a screen so that the listener can follow the mechanics of the sound visually as well.

 

Source: Jost Muxfeldt

 

 

Whether the sound is visualized or the speeding diagrams are set to sound is unimportant. It is a total art work which addresses both senses. One does not have to understand the explanations about sine waves, amplitude modulations, kinematics, or binary tree structures in order to enjoy this work. (Sebastian Preuss)

 

Source: Networked_Music_Review

 

 

Audio Kinematics, architecture, super collider, partitur, software, Installation

Reading

Grid Index (2009) by Carsten Nicolai is the first comprehensive visual lexicon of patterns and grid systems. Based upon years of research, artist and musician Carsten Nicolai has discovered and unlocked the visual code for visual systems into a systematic equation of grids and patterns. The accompanying CD contains all of the grids and patterns featured in the publication from the simplest grids made up entirely of squares to the most complex irregular ones with infinitely unpredictable patterns of growth, as editable vector graphic data files. (Gestalten)

Notation. Calculation and Form in the Arts (2008) is a comprehensive catalogue (in German) edited by Dieter Appelt, Hubertus von Amelunxen and Peter Weibel which accompanied an exhibition of the same name at the Academy of the Arts, Berlin and the ZKM | Karlsruhe. (ZKM)

 

SEE ALSO

Bob Sabiston (*1967) is an American film art director, computer programmer, and creator of the Rotoshop software program for computer animation. (Wikipedia)

Tarik Barri is an audiovisual composer based in Utrecht, the Netherlands. Reflecting his interests in programming, drawing and composing into a coherent multimedial discipline, he developed and uses software that merges audio and visuals into a new audiovisual reality. (Sonic Acts Festival)

Optical Poetry (2004) by Dr. William Moritz is the long-awaited, definitive biography of Oskar Fischinger. The result of over 30 years of research on this visionary abstract filmmaker and painter. In addition to Moritz's comprehensive biography, it includes numerous photographs in colour and black and white (many never before published), statements by Oskar Fischinger about his films, a newly created extensive filmography, and a selected bibliography. (John Libbey Publishing)

Screenplay (2005) is one of Christian Marclay's visual scores, in which found materials are collated as a representation of a sound performance to be interpreted by musicians. It is Marclay's intention that his film be viewed by performers as a score. Screenplay is compiled from film footage that Marclay spliced into something of a narrative. In addition, he introduced simple, colorful digital animations of lines and waveforms and big, round dots on top of some of the footage. (disquiet)

Ólafur Arnalds: Ljósið (2009) by Argentinian motion graphic artist Esteban Diácono is the official music video for the track Ljósið taken from Ólafur Arnalds' album Found Songs. (Esteban Diácono on Vimeo)