av00 

(2011) 

by Fredrik Olofsson are audiovisual experiments with SuperCollider. Made in preparation for the workshop MediaMassage.

100 narrow bandpass filters spread exponentially between 200 and 6000Hz. All with individual amplitude tracking that are simply mapped to the colour of 100 rectangles.

 

Source: Fredrik Olofsson

 

 

av00, super collider, real time, Code

Reading

Digital Harmony (1980): On the Complementarity of Music and Visual Art – John Whitney, Sr. wanted to create a dialog between "the voices of light and tone." All of his early experiments in film and the development of sound techniques lead toward this end. He felt that music was an integral part of the visual experience; the combination had a long history in man's primitive development and was part of the essence of life. His theories On the complementarity of Music and Visual Art were explained in his book, Digital Harmony, published by McGraw-Hill in 1980. (Paradise 2012)

META/DATA: A Digital Poetics (2007) by pioneering digital artist Mark Amerika mixes (and remixes) personal memoir, net art theory, fictional narrative, satirical reportage, scholarly history, and network-infused language art. META/DATA is a playful, improvisatory, multitrack digital sampling of Amerika's writing from 1993 to 2005 that tells the early history of a net art world gone wild while simultaneously constructing a parallel poetics of net art that complements Amerika's own artistic practice. (The MIT Press)

Optical Poetry (2004) by Dr. William Moritz is the long-awaited, definitive biography of Oskar Fischinger. The result of over 30 years of research on this visionary abstract filmmaker and painter. In addition to Moritz's comprehensive biography, it includes numerous photographs in colour and black and white (many never before published), statements by Oskar Fischinger about his films, a newly created extensive filmography, and a selected bibliography. (John Libbey Publishing)

 

SEE ALSO

Christopher Salter (*1967) is a media artist, performance director and composer/ sound designer based in Montreal, Canada and Berlin, Germany. His artistic and research interests revolve around the development and production of real time, computationally-augmented responsive performance environments fusing space, sound, image, architectural material and sensor-based technologies. Chris Salter collaborated with Peter Sellars and William Forsythe and co-founded the collective Sponge, whose works stretched between artistic production, theoretical reflection and scientific research. Chris Salter’s performances, installations, research and publications have been presented at numerous festivals and conferences around the world. (TASML)

PMP is an audio-visual collective based in Singapore that focuses on the synaesthetic experience where sound and visuals interact in real time, steering away from the notion that audio and visuals are often the by-products of one another. Started in 2009 by Ivan, Felix and Bin, PMP’s music takes the form of minimal electronic music that fuses microsound, glitches and the sound of acoustic instruments. Visually, it is highly distinctive with generative visuals that reacts or controlled in real time. (PMP)

Golan Levin (*1972) is an American new media artist, composer, performer and engineer interested in developing artifacts and events which explore supple new modes of reactive expression. Golan Levin's work focuses on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. (Golan Levin)

Cycles 720 (2013) by Craig Allan is an hybrid visual/audio sequencer built using VVVV and Ableton Live with a custom M4L patch. Circle/Line interactions trigger percussion: rhythm and swing are dictated by the size, number of circles, their degree of separation, orientation and elasticity of each collision. (Craig Allan)

Craig Allan (*1971) aka Numbercult from Glasgow explores comunication between abstract sound and visual worlds using realtime immersive audiovisual installations, interactive digital scultptures and live performances. He specialises in music production, sound design and real-time generative graphics for large scale media environments. Craig Allan founded the eponymous numbercult record label and has released acclaimed electronic dance music on esteemed record labels around the globe under the moniker Rei Loci. (Numbercult)