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Synchronous Objects 

(2009) 

is an interactive exploration of choreographer William Forsythe's One Flat Thing, reproduced. It has received international recognition.

Synchronous Objects was recently selected as a finalist for the Adobe MAX Awards and featured at TEDxColumbus. It is the result of a collaboration between The Forsythe Company, based in Germany, and researchers at The Ohio State University from design, dance, computer science, geography, statistics and architecture who work together at OSU's Advanced Computing Center for the Arts and Design (ACCAD). Maria Palazzi (ACCAD/ Department of Design), Norah Zuniga Shaw (ACCAD/ Department of Dance) and William Forsythe (The Forsythe Company) served as creative directors for the project.

 

Source: Synchronous Objects

 

 

The website (you can access it at synchronousobjects.osu.edu) is rather like the man. It is highly theoretical, but also enormous fun and creates beautiful things. Forsythe intends this to be the first step in a Motion Bank that he will invite other choreographers to contribute to.

"This project is not so much for the dance world, though I wish I had had it when I was 15. But it is important that we can now disseminate expertise. Before we couldn't watch a dance play and watch the ideas explicated at the same time. Now with digital media we can."

Seeing Forsythe's dancers move online, with multi-coloured algorithms tracing their interaction, you do understand better the tautness of the ideas that underlie his work. It is the primacy he gives to concepts that makes him as much a visual artist – he is showing a new work at this year's Venice Biennale – as a conventional choreographer.

He tells the story of an American blogger who criticised the fact that he was interested in ideas, not emotion. "I wrote to her to say that I just happen to be one of a group of people to whom ideas give pleasure and there are lots of us out there, believe me. If dance is only going to stage stories, then dance is going to relegate itself to the status of children's books. Dance is a good field. It shouldn't be relegated there."

 

Source: Telegraph

 

 

Synchronous Objects, choreography, partitur, Live Visuals, Interactive, Installation

Reading

Notation. Calculation and Form in the Arts (2008) is a comprehensive catalogue (in German) edited by Dieter Appelt, Hubertus von Amelunxen and Peter Weibel which accompanied an exhibition of the same name at the Academy of the Arts, Berlin and the ZKM | Karlsruhe. (ZKM)

Notations 21 (2009) by Theresa Sauer features illustrated musical scores from more than 100 international composers, all of whom are making amazing breakthroughs in the art of notation. Notations 21 is a celebration of innovations in musical notation, employing an appreciative aesthetic for both the aural and visual beauty of these creations. The musical scores in this edition were created by composers whose creativity could not be confined by the staff and clef of traditional western notation, but whose musical language can communicate with the contemporary audience in a uniquely powerful way. (Notations 21 Project)

Links

 

SEE ALSO

Ólafur Arnalds: Ljósið (2009) by Argentinian motion graphic artist Esteban Diácono is the official music video for the track Ljósið taken from Ólafur Arnalds' album Found Songs. (Esteban Diácono on Vimeo)

Kandinsky (2009) edited by Tracey Bashkof is the first full-scale retrospective of the artist's career to be exhibited in the United States since 1985, when the Guggenheim culminated its trio of groundbreaking exhibitions of the artist's life and work in Munich, Russia, and Paris. This presentation of nearly 100 paintings brings together works from the three institutions that have the greatest concentration of Kandinsky's work in the world, the Solomon R. Guggenheim Museum, New York; Centre Georges Pompidou, Paris; and Städtische Galerie im Lenbachhaus, Munich; as well as significant loans from private and public holdings. (Guggenheim)

Symphonie Diagonale (1924) - original title: Symphonie Diagonale. In Diagonal Symphony by Viking Eggeling, the emphasis is on objectively analyzed movement rather than expressiveness on the surface patterning of lines into clearly defined movements, controlled by a mechanical, almost metronomic tempo. (Standish Lawder: "Structuralism and Movement in Experimental Film and Modern Art, l896-192l", doctoral dissertation)

Hans Richter (1888-1976) was a German painter, graphic artist, avant-gardist, film-experimenter and producer. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland. (Wikipedia)

Sons et Lumières (2004) – A History of Sound in the Art of the 20th Century (in French) by Marcella Lista and Sophie Duplaix published by the Centre Pompidou for the excellent Paris exhibition in September 2004 until January 2005.


Curated by the Pompidou’s Sophie Duplaix with the Louvre’s Marcella Lista, the show required a good three or four hours to absorb, with its bombardment of sensory and intellectual input, including painting, sound sculpture, sound/light automata, film and video, and room-size installations. (Frieze Magazine)