That Track 3D 

(2004) 

appears on Hexstatic's 2004 CD/DVD release Master View (ZEN92). This is the anaglyph version. Watch it wearing 3D glasses for the full effect.

"I made this in after effects, it was quite a big undertaking as AE couldnt really cope with the amount of layers needed to create it. I had to simplify it quite a lot as originally the idea was to leave a permanent trail from the beginning that we fly back down at the end like some twisted sculpture. I remember that i had to get Ninjatune to buy me a new G5 just to finish this video alone to complete the album. the video did not appear on the pre release version for the press but i think it was the most impressive of the 3d videos on the DVD.

The thick white line you see traveling along represents the timeline point like you see in a audio sequencer like ableton live/reason where i created the music. it travels along a grid representing bars and 16th notes."

 

Source: Hexstatic

 

 

That Track 3D, 3D (red/blue), kugeln, london, Video Clip

Reading

Rewind, Play, Fast Forward (2010) – The Past, Present and Future of the Music Video by Henry Keazor, Thorsten Wübbena (eds.) brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. (transcript Verlag)

VJ: Audio-Visual Art + VJ Culture (2006) edited by D-Fuse. A major change has taken place at dance clubs worldwide: the advent of the VJ. Once the term denoted the presenter who introduced music videos on MTV, but now it defines an artist who creates and mixes video, live and in sync to music, whether at dance clubs and raves or art galleries and festivals. This book is an in-depth look at the artists at the forefront of this dynamic audio-visual experience. (Laurence King Publishing)

VJing (2010) is a reproduction of the Wikipedia article VJing, based upon the revision of July 25th 2010 and was produced as a physical outcome of the wiki-sprint, a collaborative writing workshop that was held 2010 in the frame of Mapping Festival, Geneva. (Greyscale Press)

 

SEE ALSO

Art That Moves: The Work of Len Lye (2009) by Roger Horrocks, author of the best-selling and critically acclaimed 2001 Len Lye: A biography, shifts the focus from Len Lye's life to his art practice and innovative aesthetic theories about "the art of motion," which continue to be relevant today. Going beyond a general introduction to Len Lye and his artistic importance, this in-depth book offers a detailed study of his aesthetics of motion, analyzing how these theories were embodied in his sculptures and films. (Amazon)

Zeitguised (founded in 2001) is based in London and the brainchild of American sculpture/ fashion grad Jamie Raap and German engineering/ architecture obsessive Henrik Mauler. (paranoid)

Psyk (2001) by Ali M. Demirel - Music video for the Plastikman track Psyk. Plastikman is probably the best known of Canadian DJ Richie Hawtin's production aliases. A study in minimalist repetitions. (pingmag)

Amalgation (2009) is a synthesis of analog and digital sounds where traditional instruments meet digitally generated sounds created with Pure Data. This live audiovisual performance was the first of PMP's attempt in exploring the relationship between sound and visuals. (PMP)

Sonar (2009) by Montreal-based designer Renaud Hallée is a musical loop generated by shapes with cyclic behaviors. A basic keyframe animation using flash, without scripting. (Renaud Hallée on Vimeo)