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Fast & Furious: Web trailer 

(2009) 

by Addictive TV. Burning rubber, skids and squealing tyres galore - this movie was made for remixing...!

Remixing fast and furiously for Universal, Addictive TV were asked to remix the new Vin Diesel blockbuster Fast & Furious. Burning rubber, skids and squealing tyres galore - this movie was made for remixing...!

Slamming the pedal-to-the-metal, Vin Diesel and Paul Walker re-team for the ultimate chapter of the movies built on speed. Heading back to LA where it all began, they rejoin Michelle Rodriguez and Jordana Brewster to burn rubber, illegally race each other in exotic cars through the mean streets of Los Angeles, and floor them across the Mexican desert in this high-octane action-thriller. 

 

Source: Addictive TV's YouTube Channel

 

 

Fast & Furious: Web trailer, found footage, cars, editing, Commercial

Reading

Rewind, Play, Fast Forward (2010) – The Past, Present and Future of the Music Video by Henry Keazor, Thorsten Wübbena (eds.) brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. (transcript Verlag)

VJing (2010) is a reproduction of the Wikipedia article VJing, based upon the revision of July 25th 2010 and was produced as a physical outcome of the wiki-sprint, a collaborative writing workshop that was held 2010 in the frame of Mapping Festival, Geneva. (Greyscale Press)

VJ: Audio-Visual Art + VJ Culture (2006) edited by D-Fuse. A major change has taken place at dance clubs worldwide: the advent of the VJ. Once the term denoted the presenter who introduced music videos on MTV, but now it defines an artist who creates and mixes video, live and in sync to music, whether at dance clubs and raves or art galleries and festivals. This book is an in-depth look at the artists at the forefront of this dynamic audio-visual experience. (Laurence King Publishing)

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SEE ALSO

Audio-Vision: Sound on Screen (1994) by French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. (Colombia University Press)

Gravity (2009) by Montreal-based designer Renaud Hallée is made from falling objects synchronized to produce rhythm. (Visual Music/ Maura McDonnell )

ALL MUSIC: Cosmopolitan Cyborg (2007) is a series of Station IDs by Gabriel Shalom and commissioned by the ALL MUSIC Italian music television channel. (Gabriel Shalom on Vimeo)

Christian Ernest Marclay (*1955) is a Swiss-American visual artist and composer. Marclay's work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Christian Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism." His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument. (Wikipedia)

Hexstatic is a UK music duo, consisting of Stuart Warren Hill and Robin Brunson, that specializes in creating "quirky audio visual electro." Formed in 1997 after Hill and Brunson met while producing visuals at the Channel Five launch party, they decided to take over for the original members of the Ninja Tune multimedia collective Hex that had disbanded around the same time. They soon collaborated with Coldcut for the Natural Rhythms Trilogy, including the critically acclaimed A/V single Timber. (Wikipedia)