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Autechre: plyPhon 

(2008) 

by Lucio Arese is an unofficial-non commercial video for plyPhon, a song from the Autechre release Quaristice. Every visual element is connected to a sound event; the whole video is intended to be like a sort of virtual score.

The whole video is intended to be like a sort of virtual score that develops itself in a continued run, according to the music.

 

Source: Lucio Arese on Vimeo

 

 

This un-official music video by designer/architect Lucio Arese, is a visual representation of the track plyPhon on the Autechre release Quaristice. Obviously inspired by the Autechre: Gantz Graf video, Lucio has created visual elements connected to the sound events, creating a virtual score that develops itself in a continued run. Not as stunning as Gantz Graff, it does manage to explain Autechre's abstract track.

 

Source: Teambril

 

 

Autechre: plyPhon, architecture, partitur, Video Clip

Reading

Notations 21 (2009) by Theresa Sauer features illustrated musical scores from more than 100 international composers, all of whom are making amazing breakthroughs in the art of notation. Notations 21 is a celebration of innovations in musical notation, employing an appreciative aesthetic for both the aural and visual beauty of these creations. The musical scores in this edition were created by composers whose creativity could not be confined by the staff and clef of traditional western notation, but whose musical language can communicate with the contemporary audience in a uniquely powerful way. (Notations 21 Project)

Notation. Calculation and Form in the Arts (2008) is a comprehensive catalogue (in German) edited by Dieter Appelt, Hubertus von Amelunxen and Peter Weibel which accompanied an exhibition of the same name at the Academy of the Arts, Berlin and the ZKM | Karlsruhe. (ZKM)

Rewind, Play, Fast Forward (2010) – The Past, Present and Future of the Music Video by Henry Keazor, Thorsten Wübbena (eds.) brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. (transcript Verlag)

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SEE ALSO

Zürich Chamber Orchestra ZKO: Rollercoaster (2008) by Euro RSCG Group Switzerland, Zürich and produced by Virtual Republic. Visualization of the 1st violin of the 2nd symphony, 4th movement by Ferdinand Ries in the shape of a rollercoaster. The camera starts by showing a close-up of the score, then focuses on the notes of the first violin turning the staves into the winding rail tracks of the rollercoaster. The notes and bars were exactly synchronised with the progression in the animation so that the typical movements of a rollercoaster ride match the dramatic composition of the music. (Virtual Republic on Vimeo)

Mycenae-Alpha (1978) composed by Iannis Xenakis on the UPIC system, presents an example of the relationship between graphic image and sonic structure in electroacoustic music. The graphic score of Mycenae-Alpha provides a basis for an analysis of the work’s form and a guide to its characteristic sonic features. Mycenae-Alpha is also the first work to be composed entirely on the UPIC system. The UPIC is a tool for the graphic composition of electroacoustic music which was first developed in the late 1970s by Iannis Xenakis and his staff at the Center for Studies in Mathematical and Automated Music in Paris. (Ronald Squibbs)

Sons et Lumières (2004) – A History of Sound in the Art of the 20th Century (in French) by Marcella Lista and Sophie Duplaix published by the Centre Pompidou for the excellent Paris exhibition in September 2004 until January 2005.


Curated by the Pompidou’s Sophie Duplaix with the Louvre’s Marcella Lista, the show required a good three or four hours to absorb, with its bombardment of sensory and intellectual input, including painting, sound sculpture, sound/light automata, film and video, and room-size installations. (Frieze Magazine)

Ólafur Arnalds: Ljósið (2009) by Argentinian motion graphic artist Esteban Diácono is the official music video for the track Ljósið taken from Ólafur Arnalds' album Found Songs. (Esteban Diácono on Vimeo)

Iannis Xenakis (1922–2001) was a Greek composer, music theorist, and architect-engineer. He is commonly recognized as one of the most important post-war avant-garde composers. Iannis Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. (Wikipedia)