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Funkstörung: Dirt Empire 

(2004) 

- From a vague anticipation of blurry haze in the beginning graphical patterns evolve into more and more concrete forms. In the course of the video by Mate Steinforth these shapes form parts of contemporary architecture.

The track Dirt Empire by Funkstörung somewhat breathes the air of 1960s psychedelic music and so the images in the video too quote the 60s psychedelic art. The buildings and houses zoom out to show a city's skyline. The tranformation from organic form to square shaped buildings symbolizes the distance to our origins in today's first world culture. Made of dirt are our cities, for we are the Dirt Empire.

 

Source: Mate Steinforth on Vimeo

 

 

Funkstörung: Dirt Empire, jazz, architecture, Video Clip

Reading

Rewind, Play, Fast Forward (2010) – The Past, Present and Future of the Music Video by Henry Keazor, Thorsten Wübbena (eds.) brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future. (transcript Verlag)

Audiovisuology: See this sound (2010) - An Interdisciplinary Compendium of Audiovisual Culture. This all-embracing compendium brings together texts on various art forms in which the relationship between sound and image plays a significant role and the techniques used in linking the two. The entire spectrum of audiovisual art and phenomena is presented in 35 dictionary entries. (Cornerhouse)

VJam Theory: Collective Writings on Realtime Visual Performance (2008) presents the major concerns of practitioners and theorists of realtime media under the categories of performance, performer and interactors, audiences and participators. The volume is experimental in its attempt to produce a collective theoretical text with a focus on a new criticality based on practitioner/ artist theory in which artist/ practitioners utilise theoretical models to debate their practices. (VJ Theory)

Links

 

SEE ALSO

Audio Kinematics (2007) is an audio/video installation by Jost Muxfeldt. Audio Kinematics works with the phenomenology of sound and space, and how a listener is manifest in that space. Formally, it plays with the idea of kinematic relations on the level of sound: a virtual audio sculpture. It utilizes the spatial relations and proportions of a mechanical structure to determine various parameters of a sound composition, and creates a kind of virtual kinetic sound sculpture. (Jost Muxfeldt)

Lichtfront is an design collective based in Cologne, Germany. They have a singular pursuit, and that is to interpret sounds directly through images. This no-bars approach makes it possible to perform live sets and for the VJs to directly react to the rhythm and the feel of the music. The form of the sets corresponds to the handwriting style of each Lichtfront VJ. Therefore there's the incentive, as the set itself demonstrates, to produce for each night a unforgetable visual clip. (bitfilm)

D-Fuse are a collective of London based artists who explore a wide range of creative media. Their explorations of live audiovisual performance, mobile media, web print, art and architecture, TV and film, have beend shown internationally. (D-Fuse)

Yannick Jacquet (*1980) lives and works in Brussels, Belgium. Originally trained as a graphic artist, he now devotes his time to developing a personal language using video and a wealth of projection techniques. Yannick Jacquet's work is characterised by a desire to break out of the traditional formats of video-projection and finding ways to integrate video into the performance space. These ideas are developed and performed in the form of audiovisual performances, installations and scenography. (Yannick Jacquet)

One Minute Soundsculpture (2009) by Daniel Franke (We Are Chopchop) scored by Ryoji Ikeda and filled with visual shenanigans that correspond to the soundtrack. (We Love You So)