Visual Music Archive

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What makes a good party 

(2007) 

by Robert Heel vs. Binary choice (deep) is made from found footage of educational movies from the 1950s and 1960s that deal with parties and the perfect lifestyle.

The video is used to sample both, sound and images to become a part of the composition of the music piece.

"With cuts and reverse cuts the moral hypocrisy of this time lays open. By montage of the footage unvarnished truths are put in the mouth of the actors." (Cornelia and Holger Lund)

 

Source: Robert Heel's website

 

 

What makes a good party, found footage, Video Art

Reading

Audio.Visual - On Visual Music and Related Media (2009) by Cornelia Lund and Holger Lund (Eds.) is divided into two sections: the first deals with the academic discussion on the subject of visual music; the second introduces contemporary paradigms of audio-visual praxis in brief presentations and contextualises them. Apart from being a guide in the historical sense, this new volume provides theoretical approaches to understanding and making visual music. (Fluctuating Images)

Audiovisuology: See this sound (2010) - An Interdisciplinary Compendium of Audiovisual Culture. This all-embracing compendium brings together texts on various art forms in which the relationship between sound and image plays a significant role and the techniques used in linking the two. The entire spectrum of audiovisual art and phenomena is presented in 35 dictionary entries. (Cornerhouse)

See this Sound (2009) by Liz Kotz (Author), Cosima Rainer (Editor), Stella Rollig (Editor), Dieter Daniels (Editor), Manuela Ammer (Editor) compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic eye music of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. (Artbook)

Links

 

SEE ALSO

Paul Sharits (2008) edited by Yann Beauvais. Known primarily for his experimental cinema and pictorial works, Paul Sharits developed an oeuvre that evolved around two central themes: one, closely related to music and the world of abstraction, the other, within the psychological and emotional arena of the figurative. This complete monograph, drawn from a recent exhibition, explores the connections between these two practices, and in addition provides a general introduction to a remarkable body of work. Illustrated throughout, the monograph also includes several essays, texts by Paul Sharits and interviews. (les presses du réel)

The Z-Axis (2003) is a multi layered live audio visual performance by The Light Surgeons that fuses classic cult cinema with electronic sound scapes mixed live by DJ and audio artist Scanone. It has been toured internationally to venues such as: The Guggenheim Art Museum in Bilbao, San Fransico Art Institute, Moderna Museet in Stockholm, and the Villette in Paris between 2003 and 2006. (The Light Surgeons)

Fast & Furious: Web trailer (2009) by Addictive TV. Burning rubber, skids and squealing tyres galore - this movie was made for remixing...! Slamming the pedal-to-the-metal, Vin Diesel and Paul Walker re-team for the ultimate chapter of the movies built on speed. (Addictive TV's YouTube Channel)

Christian Ernest Marclay (*1955) is a Swiss-American visual artist and composer. Marclay's work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Christian Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism." His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument. (Wikipedia)

Arthur Lipsett (1936-1986) was a Canadian avant-garde director of short collage films. Arthur Lipsett's meticulous editing and combination of audio and visual montage was both groundbreaking and influential. (Wikipedia)