Visual Music Archive

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Form Constant 

(2010) 

is a collaboration between dancer/ choreographer Hope Goldman and her partner, visual artist/ programmer Andrew Moffat. It was performed live in 2010 as Goldman's Master's thesis show. Music by Ben Frost.

To perform the real-time tracking and effects, the piece uses infrared lighting and a custom-modded, $40 webcam along with custom software running on the GPU.

The choreography was influenced by the ideas of fluid dynamics and the energetic quality of the imagery.

 

Hope Goldman recently received her MFA in dance from the University of Illinois at Urbana Champaign where she also held a teaching assistantship. Her choreography and video work has been presented throughout the Midwest as well as several areas along the East coast at venus including The Tank and Chez Bushwick in New York. 

 

Andrew Moffat is a web plus applications developer and visual artist who enjoys experimenting with and developing new ideas. He can be contacted by shouting his name loudly on his latest experimental project.

 

Source: YouTube

 

 

Form Constant, choreography, liquid, real time, Live Visuals, Interactive

Reading

The Art of Projectionism (2007) by Frederick Baker (in German) sets out the principles behind his use of projectors in the film making process. He defines a projectionist school of filmmaking and media art. In this publication he also presented Ambient film, a surround experience that can be shown in specially developed cinemas. (Wikipedia)

See this Sound (2009) by Liz Kotz (Author), Cosima Rainer (Editor), Stella Rollig (Editor), Dieter Daniels (Editor), Manuela Ammer (Editor) compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic eye music of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. (Artbook)

Links

 

SEE ALSO

Reza Ali is a designer/ technologist/ hybrid who is interested in everything from design to biology to art. He is interested in human computer interaction (interaction design), architecture/ product design, software, mobile technology/ hacking, generative visuals, algorithmic art, data visualization, audio-visual interactive immersive environments, new media tools for DJs/ VJs/ Performers, Trans-Architecture, photography, graphic design, user interfaces, electronics, 3D animation, modeling, rendering and scripting. (Reza Ali)

META/DATA: A Digital Poetics (2007) by pioneering digital artist Mark Amerika mixes (and remixes) personal memoir, net art theory, fictional narrative, satirical reportage, scholarly history, and network-infused language art. META/DATA is a playful, improvisatory, multitrack digital sampling of Amerika's writing from 1993 to 2005 that tells the early history of a net art world gone wild while simultaneously constructing a parallel poetics of net art that complements Amerika's own artistic practice. (The MIT Press)

PMP is an audio-visual collective based in Singapore that focuses on the synaesthetic experience where sound and visuals interact in real time, steering away from the notion that audio and visuals are often the by-products of one another. Started in 2009 by Ivan, Felix and Bin, PMP’s music takes the form of minimal electronic music that fuses microsound, glitches and the sound of acoustic instruments. Visually, it is highly distinctive with generative visuals that reacts or controlled in real time. (PMP)

Versum: Go (2010) is created in a realtime three-dimensional audiovisual composition tool programmed by Tarik Barri. It forces both the audience and the composer to look at the music and listen to the visuals. (Tarik Barri)

complex composition (2010) by Itaru Yasuda is a generative audiovisual concert piece updated every presentation. All sound and graphics are generated in real time by SuperCollider. (SuperCollider Symposium 2010)