chromatizer 

(2009) 

by SYNCHRONATOR (Bas van Koolwijk and Gert-Jan Prins) for which the artists have developed their own electronics. The project is a continuation on medium specific experiments between image and sound from the early years of video art.

Since the early years of video art, works have been made which do not actually produce a standard TV signal waveform and therefore cannot be directly recorded. Some are based primarily upon magnetic distortion of the normal TV scan pattern, others utilise a Cathode Ray Tube as if it were an oscilloscope screen.

SYNCHRONATOR is a video and audio research project by Gert-Jan Prins and Bas van Koolwijk in an attempt to use a combination of current digital and analogue means in order to make more use of the characteristic visual qualities of such techniques.

 

During their work period within the framework of a residency at Impakt in April/ May 2006, a laboratory was arranged in the Impakt building, for Van Koolwijk and Prins to conduct their collaborative experiments. By sharing their technical knowledge they set out to tackle the difficulties concerning the recording of complicated, merged and distorted video and audio signals.

As part of the residence, a publicly accessible workshop was organised, in which the use of interfaces, videotronics, video/audio software and improvisation in electronic music in the context of AV improvisational performance were examined.

Beginning of June 2006 a first audio-visual SYNCHRONATOR performance was presented as an Impakt event, together with screenings and presentations of works by related artists.

 

A first video was released in august 2006 and is currently distributed by the Netherlands Media Art Institute.

A DVD with new works was released on the Cavity label in july 2009, followed by the release of the electronic SYNCHRONATOR device in november 2009.

 

Source: Synchronator's website

 

 

chromatizer, *****, liquid, Live Visuals

Reading

Grid Index (2009) by Carsten Nicolai is the first comprehensive visual lexicon of patterns and grid systems. Based upon years of research, artist and musician Carsten Nicolai has discovered and unlocked the visual code for visual systems into a systematic equation of grids and patterns. The accompanying CD contains all of the grids and patterns featured in the publication from the simplest grids made up entirely of squares to the most complex irregular ones with infinitely unpredictable patterns of growth, as editable vector graphic data files. (Gestalten)

Film as Film: Formal Experiment in Film 1910-1975 (1979) is a catalogue of an exhibition held at the Hayward Gallery in London from 3 May until 17 June 1979 on rare, essential and controversial avant-garde film history.

 

SEE ALSO

Black (2010) by Susi Sie is focused on fear of the uncontrollable and its close relationship to fascination with the unfamiliar. All of its scenes were filmed with a Canon 5D Mark II, 100mm macro, and have been edited with no additional computer animation and effects. The original score for this short was created by Clemens Haas (1968, Germany), who studied Audio and Video Engineering as well as classical piano in Düsseldorf. (Susi Sie)

Onur Senturk studied traditional painting and figure drawing followed by a traditional animation degree as his BFA. He took part in several international and national collaborative exhibitions with works in both print and time-based media. Onur Senturk designed and animated Triangle which is awarded twice by Vimeo as best motion graphics and Nokta. which received honorary mention from Ars Electronica in Computer Animation/ Film /VFX category. He has been featured in many national and international magazines, newspapers, and events. (Onur Senturk)

See this Sound (2009) by Liz Kotz (Author), Cosima Rainer (Editor), Stella Rollig (Editor), Dieter Daniels (Editor), Manuela Ammer (Editor) compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic eye music of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. (Artbook)

Alex Rutterford is a British director and graphic designer working mostly on music videos. He studied graphic design at the Croydon School of Art and graduated in 1991. His most well-known works include the videos for Gantz Graf by Autechre, Verbal by Amon Tobin and Go to Sleep by Radiohead. (Wikipedia)

Aquarelles (1980) - Abstract video art created by Tom DeWitt, Vibeke Sorensen and Dean Winkler. Music by Vibeke Sorensen. (Thomas Ditto)