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Music of the Spheres 

(1977-2002) 

by Jordan Belson explores the harmonic order of the solar system. It connects abstract, cosmic images with the earthly world we know.

As Pythagoras wrote, “There is geometry in the humming of the strings. There is music in the spacing of the spheres.”

 

1977 Pyramid Films notes: “This new film by Jordan Belson connects abstract, cosmic images with the earthly world we know… The abstract order of mathematics and space produces the endless variations of form that composes the visible world – this film weaves their relationships into an aesthetic experience.” (Center for Visual Music)

 

Source: Center for Visual Music

 

 

Music of the Spheres, sacral, 2nd generation, mystic, Film

Reading

Film as Film: Formal Experiment in Film 1910-1975 (1979) is a catalogue of an exhibition held at the Hayward Gallery in London from 3 May until 17 June 1979 on rare, essential and controversial avant-garde film history.

Sons et Lumières (2004) – A History of Sound in the Art of the 20th Century (in French) by Marcella Lista and Sophie Duplaix published by the Centre Pompidou for the excellent Paris exhibition in September 2004 until January 2005.


Curated by the Pompidou’s Sophie Duplaix with the Louvre’s Marcella Lista, the show required a good three or four hours to absorb, with its bombardment of sensory and intellectual input, including painting, sound sculpture, sound/light automata, film and video, and room-size installations. (Frieze Magazine)

Visual Music: Synaesthesia in Art and Music Since 1900 (2005) traces the history of a revolutionary idea: that fine art should attain the abstract purity of music. Over the past one hundred years some of the most adventurous modern and contemporary artists have explored unorthodox means to invent a kinetic, non-representational art modeled upon pure instrumental music. (Amazon)

Optical Poetry (2004) by Dr. William Moritz is the long-awaited, definitive biography of Oskar Fischinger. The result of over 30 years of research on this visionary abstract filmmaker and painter. In addition to Moritz's comprehensive biography, it includes numerous photographs in colour and black and white (many never before published), statements by Oskar Fischinger about his films, a newly created extensive filmography, and a selected bibliography. (John Libbey Publishing)

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SEE ALSO

Larry Cuba (1950) is widely recognized as a pioneer in the use of computers in animation art. Producing his first computer animation in 1974, Cuba was at the forefront of the computer-animation artists considered the second generation – those who directly followed the visionaries of the sixties: John Whitney, Sr., Stan Vanderbeek and Lillian Schwartz. (Sonic Acts Festival)

Telefante is formed by Luis Negrón van Grieken and Juan Carlos Orozco Velásquez. They put all kinds of media, new, old, forgotten, obsolete, overused, commercial, useless, all over the table, as if we were making a transversal cut through history. Simply it is about tell stories (new and old) through several media (new and old), with the aim to forget this unproductive dialectic and be able to capture the most difficult: the present. (Telefante)

Depart are Leonhard Lass and Gregor Ladenhauf, both born in Austria. Leonhard Lass is responsible for the visual part and now lives and works as a visual designer and artist in Barcelona, Spain. The man behind audio, Gregor Ladenhauf lives in Vienna, Austria and works there as a musician and artist. They both meet on a textual level which forms the base for visual and musical ideas. (Transmediale)

Combustion (2011) by Montreal-based designer Renaud Hallee plunges the viewer, from each image and note to the next, closer and closer to its materials as they catch fire and culminate in an explosion of colours and sounds. Carried along by a scorching musical score, Combustion is a brisk and novel look at fire, a source of fascination for everyone everywhere since the beginning of time. (SXSW)

Glyph (2011) is a projection sculpture by Depart with references to ritual monuments such as obelisks or stelas. It deals with cyclic change and constantly regenerates itself. An alphabet based on fundamental geometric shapes (rectangle, circle and triangle) acts as an communication device as well as a pure aesthetic element. All texts displayed are permanently evolving and restructured based on linguistic rules. Made with Processing and Reaktor. (Depart)