Visual Music Archive

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Visual Sound Design 

(2010) 

by Reza Ali is a little app to help him understand microsounds, oscillators, timing, frequency, polymorphism, sequencing, filtering, time domain and distortion effects in real-time in a visual manner.

"A little app I made to help me understand microsounds, oscillators, timing, frequency, low frequency oscillators, polymorphism, sequencing, filtering, time domain effects, such as reverb, chorusing, etc, and distortion effects, such as clipping and more... in real-time in a visual manner, which is how I learn best.

 

If there is any interest in the application, I'll set it free into the world to help others understand basic sound synthesis and enveloping."

 

Source: Reza Ali on Vimeo

 

 

Visual Sound Design, software, Interactive, Code

Reading

Notations 21 (2009) by Theresa Sauer features illustrated musical scores from more than 100 international composers, all of whom are making amazing breakthroughs in the art of notation. Notations 21 is a celebration of innovations in musical notation, employing an appreciative aesthetic for both the aural and visual beauty of these creations. The musical scores in this edition were created by composers whose creativity could not be confined by the staff and clef of traditional western notation, but whose musical language can communicate with the contemporary audience in a uniquely powerful way. (Notations 21 Project)

Notation. Calculation and Form in the Arts (2008) is a comprehensive catalogue (in German) edited by Dieter Appelt, Hubertus von Amelunxen and Peter Weibel which accompanied an exhibition of the same name at the Academy of the Arts, Berlin and the ZKM | Karlsruhe. (ZKM)

Digital Harmony (1980): On the Complementarity of Music and Visual Art – John Whitney, Sr. wanted to create a dialog between "the voices of light and tone." All of his early experiments in film and the development of sound techniques lead toward this end. He felt that music was an integral part of the visual experience; the combination had a long history in man's primitive development and was part of the essence of life. His theories On the complementarity of Music and Visual Art were explained in his book, Digital Harmony, published by McGraw-Hill in 1980. (Paradise 2012)

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SEE ALSO

Bioacoustic Phenomena (2010) also known as Hydroacoustic Study by Paul Prudence was originally conceived as a live audio-visual performance piece with sound artist Francisco Lopez for a Spatial Sound event organised by Optofonica at the Smart Project Space in Amsterdam, June 2010. The piece was subsequently developed to work with Paul Prudence's own live audio compositions and sound design. Bioacoustic Phenomenon is live generative cinematic exploration of sonically activated biological events, specifically evolving cellular entities that grow in response to sound vibrations. (Transphormetic)

Tarik Barri is an audiovisual composer based in Utrecht, the Netherlands. Reflecting his interests in programming, drawing and composing into a coherent multimedial discipline, he developed and uses software that merges audio and visuals into a new audiovisual reality. (Sonic Acts Festival)

v3 / G.S.I.L.XXIX (2004) by video artist LIA shows a cut of the live audio visual performances of LIA and the Portuguese electronic band, @c, whereby both the image and the sound layer are improvised. As with the visuals, the music is also mostly digital. Muted rhythm patterns are steadily deconstructed, so that they sound increasingly like freejazz. (Lia)

Audiovisuology: See this sound (2010) - An Interdisciplinary Compendium of Audiovisual Culture. This all-embracing compendium brings together texts on various art forms in which the relationship between sound and image plays a significant role and the techniques used in linking the two. The entire spectrum of audiovisual art and phenomena is presented in 35 dictionary entries. (Cornerhouse)

META/DATA: A Digital Poetics (2007) by pioneering digital artist Mark Amerika mixes (and remixes) personal memoir, net art theory, fictional narrative, satirical reportage, scholarly history, and network-infused language art. META/DATA is a playful, improvisatory, multitrack digital sampling of Amerika's writing from 1993 to 2005 that tells the early history of a net art world gone wild while simultaneously constructing a parallel poetics of net art that complements Amerika's own artistic practice. (The MIT Press)